I quote:
Sharma is right to keep his focus tight. He is interested in the faithful, and their conflicts, not the broader cultural issues surrounding sex and Islamic society -- though he can't help but show the second-class status that women generally suffer in many Islamic countries. His focus on religion -- and this particular religion's almost universal hostility to same-sex love -- means that there can be no answers to the spiritual searching of many of his characters. Which leads to a strange division of sympathy in the viewer. Sharma's characters want acceptance from people who refuse to give it, and at some point, you want to tell them: Leave. Get out. Be done with the madness that oppresses you.
Sharma is right to keep his focus tight. He is interested in the faithful, and their conflicts, not the broader cultural issues surrounding sex and Islamic society -- though he can't help but show the second-class status that women generally suffer in many Islamic countries. His focus on religion -- and this particular religion's almost universal hostility to same-sex love -- means that there can be no answers to the spiritual searching of many of his characters. Which leads to a strange division of sympathy in the viewer. Sharma's characters want acceptance from people who refuse to give it, and at some point, you want to tell them: Leave. Get out. Be done with the madness that oppresses you.
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